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The Oresteia trilogy consists of three closely connected plays, all extant, that were presented in 458 bc. The trilogy as a whole seems to have favourably stressed the saving power of domestic love as contrasted with both the willful virginity of the Danaïds and the unfeeling, violent lust of their cousins. Pelasgus, the king of Argos, is torn between charity to the Danaïds and anxiety to appease Aegyptus but nobly agrees in the end to grant them asylum. Suppliants thus dates presumably from the middle of Aeschylus’ career, not from the beginning.īorn in Egypt, though of Greek descent, the Danaïds have fled with their father to Argos in Greece in order to avoid forced marriage with their cousins, the sons of Aegyptus. But there is now evidence that the trilogy of which Suppliants formed a part was produced in competition with Sophocles, who is first known to have competed in 468. It was long believed by scholars that Suppliants (Greek Hiketides Latin Supplices) was one of Aeschylus’ earliest plays because of its archaic structure its chorus, representing the daughters of Danaus (the Danaïds), takes the leading role in the action.
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This is the first and only surviving play of a trilogy probably put on in 463. There the brothers kill each other, and the Theban royal family is thus exterminated, bringing to an end the horrors set in motion by Laius’ defiance of the gods. Eteocles assigns defenders to each of six of the seven gates of Thebes but he insists on fighting at the seventh gate, where his opponent will be Polyneices. In Seven Against Thebes (Greek Hepta epi Thēbais) Eteocles is shown leading the defense of the city of Thebes against an invading army led by his brother Polyneices and six chieftains from the south of Greece who are bent on placing Polyneices on the Theban throne. In the second play it appears that that son, Oedipus, killed his father and laid a curse on his own two sons, Eteocles and Polyneices. The first play seems to have shown how Laius, king of Thebes, had a son despite the prohibition of the oracle of the god Apollo.
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This is the third and only surviving play of a connected trilogy, presented in 467 bc, that dealt with the impious transgressions of Laius and the doom subsequently inflicted upon his descendants. After attributing the defeat of Persia to both Greek independence and bravery and to the gods’ punishment of Persian folly for going outside the bounds of Asia, the play ends with the return of the broken and humiliated Persian king, Xerxes. The play is set in the Persian capital, where a messenger brings news to the Persian queen of the disaster at Salamis. The play treats the decisive repulse of the Persians from Greece in 480, in particular their defeat at the Battle of Salamis. One of a trilogy of unconnected tragedies presented in 472 bc, Persians (Greek Persai) is unique among surviving tragedies in that it dramatizes recent history rather than events from the distant age of mythical heroes. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!.Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning.100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.
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